- SELECTED WORK
- A Portrait of True Red
- True Red
- True Red Ruin
- Baby Girl
- No Lye
- You’ve come a long way, baby
- Pleasure to burn
- Are you working, no. 2
- Context Dissolved Into Context
- Are you working
- Confessions on the dance floor
- Life is lived better together
- Fruit fly trap
- We are the keepers of this legacy
Actors perform a script that combines an autobiographical origin story set in Nigeria with an origin story of the product Con-Tact, an oil-based decorative paper, which covers the entirety of the set.
Actors perform in a set representing a domestic space completely covered in Con-Tact sheet: a sticky-back plastic with a digital marble print sold globally (I noticed it in the U.S. and in Nigeria). The script performed in the set combined product information and company history of Con-Tact sheet (including corruption claims and court cases) with an autobiographical origin story set in Nigeria. I was interested in looking at the micro and macro dimensions of post-colonialism and the persistence of imperialisms through multinational corporations, in this case through a product derived from oil.
Justine de Penning
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